Star Wars was ruined by, “I am your father!”

Well, not ruined per se, but it was something the Prequels and the Sequels haven’t been able to live up to. Or perhaps they forgot about it — a key dramatic element of the Original Trilogy.

Everyone remembers the time they first saw that dramatic scene in Empire Strikes Back where Darth Vader tells the young hero Luke Skywalker that he is in fact his father. The shock would plague some of us for nearly 3 years waiting for the release of Return of the Jedi. Yes, I was a kid, 8 years old, back then and saw it in the theater. I’m not sure I even believed it. I figured Vader was lying to Luke just to get him to turn to the Dark Side.

See, I was naive and believed Obi-wan Kenobi when he told Luke that Vader betrayed and murdered Luke’s father. Yet, once I saw ROTJ and the audience got its confirmation that Ben Kenobi lied, I learned a very important dramatic element of story telling. Some call it the “big reveal” or some might say “the redirect”. The goal is to surprise your audience with some information they weren’t expecting. This information is meant to change the dynamic of the characters relationship with one another. Not only providing melodrama but layers of complexity to the story.

Now, when the Prequels debuted in 1999 with The Phantom Menace, we knew this was going to be a story about a young Anakin Skywalker — Luke’s father. But what we didn’t know was how and what drove Anakin to the Dark Side. So millions of Star Wars fans waited and then we were disappointed. Okay, fine, we saw how he fell to the Dark Side, yet George Lucas made it a very long turn. Instead of something dramatic, we were told that Anakin was troubled and manipulated by Palpatine — spending over a decade slowly mind controlling him.

We all have the version of new Star Wars we wanted in our heads. My imagination over 20 years allowed me to think of a few different versions of the prequels. Yet, I know that is the definition of exaggerated anticipation — and there’s no way to be completely satisfied with the result. This is a common affliction in a Star Wars fan. We put too much of our own desires into future stories that we hopelessly know will never become reality. This is why a Star Wars fan can hate and love a movie at the same time.

In my Star Wars, Anakin fell to the dark side in one tragic and dramatic moment. Something very similar to what we saw in his final moment of his fall in Revenge of the Sith. But something much more powerful. I saw him using the Dark Side only to save someone he loved — i.e. the “young queen” (mother of Luke and Leia) but because it truly was the only way to save them. Almost to say, he sacrificed himself to save them. But this isn’t my point. Yet, I mention it as this could have been the “I am your father” moment. And maybe it should have been.

In all aspects of the Prequels, we never got this “reveal” moment. We were never shocked or surprised by the story. It really felt like the three movies were telegraphed to us in a very long exposition of images. I blame George Lucas for not giving us our surprise. Where was “I am your father” in the Prequels? We didn’t get it! Maybe Palpatine should have told Anakin that he was Anakin’s father? Or that Qui-Got was? Something. This is the same thing that happened in the Sequels. We almost had it with the tease on Rey’s parents but then we didn’t get anything. I believe if we had gotten this moment in Attack of the Clones or in The Last Jedi, those trilogies would be inherently better. But then, what do I know….

Losing Faith…. pt. four.

The new Star Wars Prequels are not terrible. The movies don’t deserve hatred or fan outrage. Yet, I do wish they had been slightly different. Being a child in the late 70s and early 80s, I was the perfect age to enjoy the Original Trilogy. I also had 15 years of adult years, college study and personal imagination to overthink the next chapter.

The Force in the Prequels was simply forgotten. When it came time to explain important things, expand on the mythology, we simply didn’t get them. Almost like George couldn’t answer them himself (odd since this was his world – his creation). Or maybe he just didn’t want to revel his hand. Now, I’m not stating I needed more such as how or why it worked (so I definitely don’t want Midichlorians). Actually keeping it vague actually works for the story. But, why does Obi-Wan and Yoda disappear to the Force in the Original Trilogy but no one in the Prequel Trilogy does? This was a critical misfire for the saga. Yes, at the end of Revenge of the Sith, we get one line of dialog to “wrap” that mystery. But why wasn’t this slowly developed through the entire Prequel Trilogy. Why wasn’t the audience shown the Jedi more in tune with the Force? (not just using its magical powers) With Anakin, Qui-Gon should have just felt the Force stronger than he’d ever felt it before within Anakin. Instead of testing his blood, he should have told Obi-wan “There’s something about this boy! I’ve never felt a vergence of the Force like I have with him.” “Even around Master Yoda?” “Not even Master Yoda!” Their surprise is the cinematic story telling. Concluding in a test similar to the one Anakin got in front of the council, we, as an audience, know that Anakin is Force sensitive. He would and did perform tasks that are beyond that of an average Padawan. But still raw! (not the Rey syndrome!) Qui-gon’s original Force insight of Anakin would make sense with what we know from the OT: “I feel a presence I’ve not felt in a long time.” “It was a 1000 voices all screamed out in terror at once.” “Search your feelings.” “Leia is my sister.” – “Your insight serves you well!”.

Queen Amidala of the Naboo should have been a true royal monarch. There’s nothing wrong for a royal Queen ruling a world or people in a fantasy story. Actually, it would have made more sense. It would have been a positive look at a monarchy style government. Besides, the government of the galaxy is a democratic Galactic Republic with representatives of each member planet working together for a greater good. Well until, it became corrupt and open for an evil Emperor to take over. More important it would have stay true to George’s original story element of Anakin marrying a young queen. With some slight tweaking, Amidala would still get mixed up in the action as a Padme decoy. I always thought it would have been more powerful to see how Naboo suffered once the Empire formed and Amidala had to go into hiding. (maybe I’ll go into more details at some point). Secondly, Amidala wouldn’t die at the end of Revenge of the Sith. Naboo would fall to Imperial control. The Royal family would be imprisoned or forced into hiding. That scene in ROTS, where Yoda and Obi-wan decide to go into hiding, it should have included Amidala. Yoda asks, “what should we do with children. They are a threat to Anakin?” Bail Organa volunteers, “We will adopt the girl (smiles at Amidala), we’ve always wanted to adopt a girl. Your majesty, you will serve as her Nanny on Alderaan and you’ll be safe there.” Yoda questions, “what about the boy?” Obi-wan offers, “to his family on Tatooine. I will go and watch over him.” This also doesn’t deviate the facts we already know. Leia would have memories of her real mother because she was her nanny. Young Padme would still die young but thats a story for another time.

Easy fixes and the story wasn’t drastically changed. It doesn’t impact the sadness at the end of ROTS nor does it cause issues in wrapping up the Prequel Trilogy….

to be concluded….

Losing Faith…. pt. three.

In the documentary, George gives some interesting insight on his film making philosophy. One of those insights: “you don’t have to spend much film time to create an environment.” George continues to say that sci-fi movies are notorious to do this to show off the amount of work and it slows the pace of the movie. Star Wars pulled this off. Perhaps it was simply there wasn’t a budget to do it. Yet, it worked as he said. I don’t need a 3-4 minute fly-over of Manhattan to get a sense the characters are in a big city. But when it came to the prequels, I found George was showing off more and more of the environments: Coruscant, Naboo, etc. The magic of CGI and digital paintings made them great eye candy but the feel of the movies changed.

George also stated, “my effort was to use less exposition and tell the story cinematically.” Again, the prequels are riddled with dialog to tell us where the action is going. The dialog is there to enrich the story – not tell us what we’re looking at: “They went up the ventilation shaft.” “There’s a problem with the main reactor!” Both were just seen only seconds ago. Either George thought we weren’t so bright or he was catering the story to a different audience (more on that later).

The Force was also one of the big issues with the Prequels. George needed to somehow convey that Anakin is more powerful in potential than other Force users / Jedi. But how do you do that? Simple. You make it a scientific explanation. In the previous Trilogy, The Force was a mystical entity, a source for a faith and religion. Yet, in the new Trilogy, it’s all about how many microbial parasites you have in your blood. More exposition. Dialog could have easily fixed this – would have benefited the story not try to explain it. I think this tarnished the mystery and power of The Force.

In the original expanded canon, it was told that Anakin Skywalker married a young queen. This was the mother of both Luke and Leia. We never got a name nor a true definition of her royal line. We really didn’t need it. The mystery was sorta interesting. Yet, now we have the opportunity in the Prequels to explore her character. Yet, is she really a Queen. No. George’s personal political opinion interfered with the fantasy. She needed to be elected to the position because an elected official seems more moral, right? Again, this failed the overall story in a galaxy, far, far away. And by the time she was married to Anakin and gave birth she was no longer a Queen but a simple Senator.

That last example could also lead into another one: changing the previous known canon. In Return of the Jedi, Luke asks Leia if she “remembers her mother, her real mother?” This clearly points to the idea that Leia as well as Luke and Han know she was the adopted daughter of Bail Organa. Could it just be an error in the writing and Luke is projecting his own knowledge toward Leia? Possibly. But why didn’t Leia freak out and say “what do you mean, real mother!?” By the time we got Revenge of the Sith, Padme Amidala died in child birth. So how could Leia possibly remember her. (I know fans have tried to explain this as Force memory) But why did it happen in the Prequels? George could have easily supported what he’d already told the audience.

These are just some examples. Next time, I’ll propose alternatives….

to be continued….